In the hex code box, enter #5B4300 or slide the color picker to a medium-dark brown color.ģ8. In the Effect Control panel, click on the box next to Shadow Color.ģ2. Go up to Effects > Perspective > Drop Shadow.ģ1. Make sure the white wave layer is still selected.Ģ9. We’ll be adding a pair of effects to the white wave layer to make it behave a little differently than the blue wave layer, and thus appear more organic. Click anywhere on the white wave layer in the layer stack and drag it below the blue wave layer.Ģ8. ![]() Select the name of the layer, blue wave 2, in the layer stack.Ģ7. Slide the picker to the top left to make it pure white or enter #FFFFFF in the hex code box.Ģ3. Click on the box to the right of the word Fill.Ģ2. ![]() Hit Delete on your keyboard to make the layer one solid color.Ģ1. In the Effect Control panel for this layer, it’ll have the same effects as the layer it’s duplicated from. Since it’s invisible at the moment, hit the Visibility icon to turn it on.ġ8. This will duplicate your blue wave layer right on top of it.ġ7. We could make a whole new layer from scratch, but let’s utilize the layers we have already. Waves have foam at their tips, so we’ll be creating a near-identical foam layer beneath our blue wave. Hit the Visibility icon next to the blue wave layer to hide it as well.ġ5. In prep for the next step, hit the Visibility icon next to the wave base layer to hide it.ġ4. You’ve already made some animated water!ġ3. Hit Spacebar on your keyboard to play back your animation. Ignore the Gradient Ramp as that’s been already applied for you and scroll down to the Wave Warp options.ġ2. In the Effect Control, you should see a Gradient Ramp effect, as well as the Wave Warp you just applied. If it doesn’t appear, click on the words Effect Control.ĩ. A new Effect Control panel should appear on the left. It should be all the way at the bottom.Ĩ. Navigate to Effect > Distort > Wave Warp. Go up to the Effect panel in the topmost toolbar.Ħ. Right off the bat, we’ll be adding our first and most important effect, Wave Warp.ĥ. This will allow you to identify which layer is which object on the composition.ģ. Toggle the Visibility of each layer off and on by clicking the little eye icon next to each. Don’t be scared off by the number of layers all we’ll be focusing on is three layers.Ģ. Beneath those is a vignette layer, another text layer, and a. In the file you should see a text layer, with two shape layers beneath that. Let’s get to it! File Setup and Effectsġ. We’ll also be animating our liquids and a bit of text to create a fun wave animation! This tutorial has a bit more setup done for you in the files so you can focus on making some sweet waves. This tutorial is going to cover using Wave Warp to simulate liquid motion, as well as using Turbulent Displace and Drop Shadow to really sell the Effect. You should end up with an After Effects Liquid Animation folder. After the download has finished, be sure to unzip the file if it hasn’t been done for you.In this tutorial, we’ll be focusing on creating a graphic, “cartoon” style liquid animation with just a few effects Getting the Project Files After Effects offers a wide variety of Effects that gives users the power to simulate nearly anything. While I'm not necessarily expecting all of these features, it would be great if we could develop to some extent on our own, perhaps in a node-based environment.Making liquid and fluid animations in After Effects might seem daunting, but it’s actually much easier than it sounds. Even with Resolume, which I use alongside QLab, I was at a loss after it discontinued the use of QC files, but regained flexibility through the acquisition of Wire.īTW, here's a part of the effects I created using Wire and FFGL: Color adjustment through curves (similar to Photoshop or After Effects)Īdditionally, for users like me who use the platform for video output, I really wish for the return of an environment where we can easily develop the effects and transitions we need, much like Quartz Composer in versions prior to QLab 4. It would be even better if four-point keystone correction if possible.) I'd like to be able to individually set the blurriness for each of the four crop sides. ![]() 4 Side Blur Crop (An evolved version of the Shutter FX. After using QLab 5 for a year, I particularly feel the need for the following effects:
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